L'ARTE È UNA FATICA INUTILE

The 3rd labour. The Golden-horned Hind

The artists who shared the 3rd labour are Susanna Baumgartner, Cosimo Filippini, MicroCollection and Luca Scarabelli

Among the labours of Hercules, the Golden-horned hind marks a moment of transition: from heroic action to moral reflection. It is no longer a matter of defeating an enemy or overcoming an obstacle by force, but of measuring oneself against limits, against the need to hold back the destructive impulse in order to give value back to life.
The hind, an animal sacred to Artemis, is a symbol of purity and intangible beauty. Its golden horns and bronze hooves do not merely signal something exceptional; they allude to the sacredness of nature and its resistance to being possessed. In trying to capture it alive, Hercules thus faces a different trial: not the assertion of his strength, but control over it.
The chase, which lasts a whole year, then becomes a metaphor for the relationship between humankind and the world: people pursuing knowledge, seeking to understand without destroying. The light wound he inflicts on the animal is a sign of contact, not of domination.
In this labour, Hercules leaves the mythical dimension of the invincible hero to enter the ethical dimension of a man who learns measure. In this sense, the golden-horned hind is an image of balance: art and knowledge not as conquest but as dialogue, as an endless pursuit of the inaccessible beauty of the world.
Susanna Baumgartner arranging pebbles on the museum floor
Susanna Baumgartner
Rilievo (Ercole) #1 by Cosimo Filippini: circular marks on the wood
Cosimo Filippini, Rilievo (Ercole) #1, 2025
Digital print on Forex
78 x 116 cm
Rilievo (Ercole) #3 by Cosimo Filippini: traces of light blue paint
Cosimo Filippini, Rilievo (Ercole) #3, 2025
Digital print on Forex
78 x 116 cm
Rilievo (Ercole) #5 by Cosimo Filippini: woodworm holes in the wood
Cosimo Filippini, Rilievo (Ercole) #5, 2025
Digital print on Forex
78 x 116 cm
Rilievo (Ercole) by Cosimo Filippini: five prints under the red window
Cosimo Filippini
Rilievo (Ercole), 2025
A black sphere on the museum floor, Il passo di Ercole by Luca Scarabelli
Luca Scarabelli, Il passo di Ercole, 2025
Elena Astolfi and Franco Sartori examine the face of Ercole
Elena Astolfi and Franco Sartori define the methods for the integrative work on the face of Ercole
The Civico Museo Parisi Valle in Maccagno lit up at dusk
Rilievo (Ercole) #2 by Cosimo Filippini: cracked paint layer
Cosimo Filippini, Rilievo (Ercole) #2, 2025
Digital print on Forex
78 x 116 cm
Rilievo (Ercole) #4 by Cosimo Filippini: cracks and stains on the wood
Cosimo Filippini, Rilievo (Ercole) #4, 2025
Digital print on Forex
78 x 116 cm
Rilievo (Ercole) by Cosimo Filippini along the window of the Civico Museo Parisi Valle
Cosimo Filippini
Rilievo (Ercole), 2025
A crouching man with the black sphere of Il passo di Ercole
Luca Scarabelli, Il passo di Ercole, 2025
A woman picks up the black sphere of Il passo di Ercole
Luca Scarabelli, Il passo di Ercole, 2025
Francesca Petrolo reading beside the club of Ercole
Francesca Petrolo reads the text dedicated to Ercole by Elisa Bollazzi (MicroCollection)

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