L'ARTE È UNA FATICA INUTILE

Technical session No. 2

Polyvinyl acetate and borax (PVA) gel

The second technical session devoted to the care of the hero involved Elena Astolfi, Francesca Petrolo and Franco Sartori in preparing the cleaning of the wooden object. The meeting focused on carrying out a first cleaning test and on planning the next intervention, to be shared with the artists of the community.
Rubbery-looking pads that release no water are used to remove surface dirt from the paint layer.
In restoration, gel based on polyvinyl acetate and borax (PVA–borax) is used as a highly controllable cleaning system, particularly suited to sensitive surfaces such as wood, polychrome materials and painted surfaces. The reaction between the polymer and borax produces a cohesive, elastic hydrophilic gel that can carry aqueous solutions while limiting their penetration into the support.
Using the gel allows both the contact time and the cleaning action to be modulated precisely, reducing the risk of washing out original layers and of contaminants migrating into the material. The product is applied locally, left to act for a controlled time and then removed mechanically, often taking dirt and surface deposits with it. Any residues are removed by dabbing or controlled rinsing.
PVA–borax gel is particularly effective at removing compact dirt, atmospheric particulate and altered substances, offering a good balance between effectiveness and operational safety. Its use must always be preceded by preliminary tests, with attention to pH and to compatibility with the work’s constituent materials, so as to ensure a selective, reversible intervention that respects the original surfaces.
The PVA gel pad on the sculpture of Ercole
The PVA pad
Dark gel applied to the toe of Ercole
The product was applied to the third toe of the wooden sculpture locally and in a controlled way, taking into account the small cross-section of the element and the greater vulnerability of the support
Vinyl resin injected with a syringe into the wood of Ercole
Applying vinyl resin to the wood of the statue of Ercole
Consolidation is carried out with controlled applications of the diluted product, allowing the wood to absorb it gradually. The excess is removed by dabbing to avoid surface residues, ensuring stability and legibility of the forms.
Filled gaps in the wood of the sculpture Ercole
Some losses that would encourage the build-up of dirt are filled
Elena Astolfi and Franco Sartori beside Ercole
Elena Astolfi and Franco Sartori
Clear hydrophilic gel in the palm of a hand
The hydrophilic gel allows the cleaning action to be modulated precisely
PVA gel pad on the face of Ercole
Syringe work on a crack in the surface of Ercole
Franco Sartori, Elena Astolfi and Francesca Petrolo during cleaning tests
Franco Sartori, Elena Astolfi and Francesca Petrolo during the first cleaning tests

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